This shows that the pedals are always active. Note that the LEDs are lit on most of Thom’s vocal pedals (this was also visible in past live footage). This suggests that Thom uses it to control the input level (like an effect send) to his delay pedals. The FV500 seems to have “repeat” written on it. Boss FV30 volume pedal #3 (off-board, Rainbow Machine effect send).Boss FV30 volume pedal #2 (synth loop volume).Boss FV30 volume pedal #1 (vocal effect send).Boss FV500 volume pedal (vocal effect send).Earthquaker Devices Grand Orbiter V3 phaser.In addition, there’s a new pedal sandwiched between Thom’s Interstellar Overdrive and his Astral Destiny pedals. Tom Skinner posted a photo on Instagram (included below) that shows Thom is still using his DBA Interstellar Overdrive or the Earthquaker Devices Plumes overdrive pedals. Just hiding behind Thom’s legs (they occupied that spot on the summer The DBA Interstellar Overdrive or the Earthquaker Devices Plumes overdrive in the above photo, but both are probably That the MXR Dyna Comp is for guitar, since Thom already has aĬompressor for his bass guitar (the Telenrodia TK-23). Signal order is suggested based on his earlier boards. This allows Thom to silence those loops while singing at his vocal mic. The pedalboard on the left is mainly for vocal effects, but it also includes a volume pedal to control the level of Thom’s synth loops on Free In The Knowledge. The guitar and bass pedals are separate chains, they’re just kept on the same physical board to keep things compact. The pedalboard on the right is for guitar and bass effects. The pedals are spread across two boards, but there’s four or five different signal path. The red enclosure and round knob of the Dyna Comp is just visible behind Thom’s legs. There may be a fourth new pedal on the guitar/bass board, we’ll have to wait and see. We’re not including song info in this post since we’ve yet to see how Thom will use his new effects.įor the Nov-Dec tour, Thom has added at least four new pedals to his setup: an Eventide H9 for vocals, a second Soma Laboratory Cosmos looper (for guitar), an Earthquaker Devices Hoof fuzz (probably for guitar), and what looks like his old MXR Dyna Comp. Those past posts include the songs that each pedal is used for. You can read more about his summer vocal board in this post, and more about his summer guitar and bass board in this post. Thom’s latest pedalboards are largely identical to the ones he used for The Smile’s May-July tour of Europe earlier this year. Photo from the band’s official Instagram. You can also create some very vocal sounds by using the LFO to control both filters and fine tuning the resonance, intensity and master frequency.Thom Yorke’s Pedalboards for The Smile’s Nov-Dec 2022 TourĪ photo of Thom during soundcheck for the first show of The Smile’s USA tour, at the 14th Veterans Memorial Auditorium in Providence, Rhode Island. Adjust the intensity of one filter to taste and use an expression pedal to sweep the second to create some awesome moving center point phase effects. You can set the intensity of both filters to zero and use the Frequency to manually create wide filter sweeps or use an expression pedal for a unique wah tones. With all of this control, the Interstellar Orbiter is a knob twiddler’s dream with loads of possibilities! It can do everything from wah emulation to complex vocal formant filter and even a fairly convincing rotary speaker effect. The mix control adjusts the volume for the mix of each filter. The resonance becomes more “ringy” as you dial it up and more mellow as you dial it back. When the LFO Intensity is raised the filter sweep is wider, the center frequency is raised and the resonance becomes more pronounced. Each filter is voiced differently and has controls for LFO intensity, resonance and mix. The LFO sweeps each filter in opposite directions and has a wide range. There are expression pedal jacks for both the master Frequency and the LFO rate. It has three universal controls: a master Frequency control that governs the center frequency of both filters, a master Rate control for the LFO and the Direct control for blending in the unaffected dry signal.
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